Assignmen From Readings Essay Example for Free

Assignmen From Readings Essay This document includes ACC 340 Week 2 Assignments from Readings ACC 340 Week 2 Individual Assignments From the Readings Write a response to the following assignment from the Core Concepts of Accounting Information Systems text: Chapter 3: Case Analyses (The Dinteman Company) Format your response consistent with APA guidelines. Business Accounting Accounting Information Systems I ENTIRE COURSE Phoenix University Pick out classes that are challenging and interesting to you instead of the ones that people think are very easy. Giving yourself a challenge is rewarding. You are sure to gain more knowledge from tough courses, and you might make connections that will benefit you later on.

The Picture of Dorian Gray, by Oscar Wilde :: Literary Analysis

Dorian has accepted that his soul is full of sin. When he shows Basil his true form, the one with sin written across its face, he believes he has no hope to be good. He let's Basil in on the truth because the guilt of watching Basil praise him despite the rumors about him is too much to bear. Basil is shocked to see the gross, wrinkled effigy of Dorian and implores that they ask God for forgiveness. He believes there is still a chance, and Dorian only needs to repent his sins. Dorian says with skepticism,â€Å"It is too late, Basil† (Wilde, 140). He believes his turpitude is immutable. Because he lacks the will to lead a moral life, he feels fine killing Basil and black mailing friends to clean up the mess. When Alan Campbell is invited to Dorian’s house, he describes the situation upstairs to the chemist. The dead body is merely a thing on a chair resting its head on a table. Had he seen himself as a on who leads a moral life, he would not have invited Alan and turned himself in instead. Because he has already rationalized that he will forever live a corrupted life, he is not afraid to force a friend who has adamantly refused several times to clean up the dirty work to conceal his sins. The difference in attitude before and after his encounter with the mocking portrait is the belief in redemption. ____________________________________________________________________________ Inside the book is the psychological study of a Parisian man who makes it his life goal to live as hedonistically as possible, and undergo â€Å"all the passions and modes of thought that belonged to every century except his own† ([2] Wilde 109). The book is written in a way that captivates, with â€Å"metaphors as monstrous as orchids and as subtle in colour† ([2] Wilde 109). Wilde writes of the book as he would write the experience of getting into a drug-induced stupor, with all of the color and hallucinations that come with it. In a way, the contents are nearly spiritual, so that â€Å"one hardly knew at times whether one was reading the spiritual ecstasies of some mediaeval saint or the morbid confessions of a modern sinner† ([2] Wilde 109). Dorian’s response to it is fascination, then connection. It becomes a drug-like substance for him, and â€Å"Dorian Gray [cannot] free himself from the influence of this book† ([2] Wilde 111). The Picture of Dorian Gray, by Oscar Wilde :: Literary Analysis Dorian has accepted that his soul is full of sin. When he shows Basil his true form, the one with sin written across its face, he believes he has no hope to be good. He let's Basil in on the truth because the guilt of watching Basil praise him despite the rumors about him is too much to bear. Basil is shocked to see the gross, wrinkled effigy of Dorian and implores that they ask God for forgiveness. He believes there is still a chance, and Dorian only needs to repent his sins. Dorian says with skepticism,â€Å"It is too late, Basil† (Wilde, 140). He believes his turpitude is immutable. Because he lacks the will to lead a moral life, he feels fine killing Basil and black mailing friends to clean up the mess. When Alan Campbell is invited to Dorian’s house, he describes the situation upstairs to the chemist. The dead body is merely a thing on a chair resting its head on a table. Had he seen himself as a on who leads a moral life, he would not have invited Alan and turned himself in instead. Because he has already rationalized that he will forever live a corrupted life, he is not afraid to force a friend who has adamantly refused several times to clean up the dirty work to conceal his sins. The difference in attitude before and after his encounter with the mocking portrait is the belief in redemption. ____________________________________________________________________________ Inside the book is the psychological study of a Parisian man who makes it his life goal to live as hedonistically as possible, and undergo â€Å"all the passions and modes of thought that belonged to every century except his own† ([2] Wilde 109). The book is written in a way that captivates, with â€Å"metaphors as monstrous as orchids and as subtle in colour† ([2] Wilde 109). Wilde writes of the book as he would write the experience of getting into a drug-induced stupor, with all of the color and hallucinations that come with it. In a way, the contents are nearly spiritual, so that â€Å"one hardly knew at times whether one was reading the spiritual ecstasies of some mediaeval saint or the morbid confessions of a modern sinner† ([2] Wilde 109). Dorian’s response to it is fascination, then connection. It becomes a drug-like substance for him, and â€Å"Dorian Gray [cannot] free himself from the influence of this book† ([2] Wilde 111).

John Updike’s A&P Essay

The nineteen fifties marked the era of differences between the parents and their children. Not until the nineteen sixties was there turning point in the nation. The generation gaps are the differences amongst the younger generation and their elders, and mainly amongst children and their parents. Generation gap still occurs today, in thing varying from behavior, to genres of music, and even in usage of language. The new generations try to express themselves as something different from the old, embracing new slang, trying to form a separation between themselves and the previous generation. In John Updike’s â€Å"A &P†, a teenage boy named Sammy works at a local store called A&P. Sammy is a young casher, that stands up to his boss and he stands up for three girls who are dressed in bathing suits. Sammy lives in a small town, where nothing really happens. There is a struggle within every teenager. Sammy doesn’t like his job at the store or the store itself, and he finds the customers to be like sheep. â€Å"All this while, the customers had been showing up with their carts, you know, sheep, seeing a scene, they had all bunched up on Stokesie†¦Ã¢â‚¬ (Updike 1170). The girls were like a pinball and the store is like the pinball machine, because Sammy could only see the girl’s heads as they went through the aisles, â€Å" the whole store was like a pinball machine and I didn’t know which tunnel they’d come out of†(Updike1169). Lengel is like a kingpin, because he is the manager of the store. Sammy’s observations on the people in the store build up on his internal conflict. According to Joseph Lostracco’s â€Å"Analyzing Short Stories†, Sammy shows an internal conflict between his limitation due to social class and the need to be admired (Lostracco 99). This conflict becomes a pparent when Sammy struggles between wanting to stand up for Queenie and her friends and the desire to be liked by others by not saying anything to Lengel. The other ‘market dwellers’ were shocked, with Queenie and her friends for walking into the store wearing bathing suits and no shoes. Sammy’s conflict occurs when his manager Lengel was telling the girls they couldn’t wear swimsuits out in public. Lengel found it to be inappropriate for women to be in swimsuits in public places, Lengel tells the girls â€Å"Girls this isn’t the beach† (Updike 1169). Updike states â€Å"Its one thing to have a girl in a bathing suit down on the beach, where what with the glare nobody can look at each other much anyway, and another thing in the cool of the A&P†¦.†(Updike 1168). According to Lostracco, Sammy’s  conflict becomes an external one between him and the grocery store manger. Sammy feels that if he comes to the girls’ rescue he will win their favor (Lostracco 99). Sammy feels like he can impress the girls, but the girls left before he quit. There is a conflict for approval in every culture. There were generation gaps going on during the nineteen fifties and nineteen sixties, the young people wanting different things from their parents. But the big turning point in culture was not during the nineteen fifties, but in the nineteen sixties. The Young people wanted to feel free, and be their own people. Queenie wanting to be part of the movement and Sammy is stuck between the two generations. Lengel claims that the girls are embarrassing themselves, where as Sammy states that â€Å"You didn’t have to embarrass them†(Updike 1170). Even if society is able to determine its own moral code and culture, it doesn’t fulfill everyone’s needs. According to Lostracco the tone achieved in â€Å"A&P† is based on humor at the expense of growing up. Updike handily illustrates the impulsivity of youth who yearn to be accepted (Lostracco 100). The three girls gets Sammy’s attention when they walked into the grocery store, wearing only their bathing suits. Sammy describes each of the girls in great detail, but goes in more detail with Queenie then with her friends. Queenie is the leader of her group, she’s confident. Sammy thinks that Queenie is ideal but not perfect, â€Å"She has sort of okay hair that the sun and salt had bleached done up in a bun†(Updike 1168). Sammy likes the girls and he thinks about them a lot- how they interact, and what they wear and goes into great detail of how they look. Sammy describes Lengel is strict, uptight and is you’re stereotypical boss. Lengel is a hard worker who is misunderstood and he takes Sammy’s place when Sammy quits his job. Sammy also sees Lengel as someone who doesn’t miss much-â€Å"Sunday school superintendent.† Lengel hides in his office all day. Lengel tries to explain to Sammy when he quits that he is hurting his parents, and that Lengel has known Sammy’s parents for years, â€Å" Sammy, you don’t want to do this to your mom and Dad†(Updike 1171). Sammy realizes that he doesn’t want to do this to his parents, but Sammy is his own person. Sammy rebels against the store, because how Lengel treated the three girls. Lengel criticizes the girls because they are wearing bathing suits. The bathing suits symbolize the girls’ neglect of the social rules of their small town. For Sammy the bathing suits symbolize freedom and a getaway from the world that he is  stuck in. Coming from two different generations Sammy and Lengel sees the girls wearing the bat hing suits from different sides. Lengel criticizing the girls symbolizing Sammy trying to find out who he wants to be. Sammy is a hero, because he stood up not only for Queenie and her friends, but also for something he thought was ok. The nineteen sixties had transformed the nation. The nineteen sixties was the turning point for the United States. According to Rennay Craats people demonstrated for the end of the war and racial discrimination (Craats 4). The nineteen sixties were full of huge protests, some of which turned violent. People protested racism, the war in Vietnam, and the government. The Civil rights movement had spread across the nation, as many young Americans protested to get the nations attention about the civil rights. Sammy was stuck between wanting to be his own person and wanting to make his parents happy. According to Lostracco, Sammy’s rebellion can see as a reaction to the basic morality he faces in his hometown, a very ordinary and uneventful small town (Lostracco 100). Queenie was ‘the leader’ of the group. Sammy realized how hard life was going to be for him after he quit his job, â€Å"My stomach kind of fell as I felt how hard the world was going to be to me hereafter†(Updike 1171). Sammy knew that he did what he thought was best for him, even though it might mean people being upset with him. Today the gaps are getting bigger due to the massive amounts of technology the younger g enerations use. During the nineteen sixties Americans took part took part in the social revolution. Taking part in peace, and social justice. Women were looking for equality, the younger generation looking to be different. Queenie and her friends wanted to be able to walk into the grocery store in the swimming suits and with no shoes, and having it be a problem. Today it is more acceptable for women to walk into grocery stores with shorts and a swimsuit on then it was in the nineteen sixties. Sammy had a reason to stand up to his boss Lengel and be his own person, because of how Lengel was criticizing the three girls. Generation gaps have been going gone for years. Sammy was trying to ‘find himself’, during the story. Sammy stood up for what he thought was right, and helped out the three girls. John Updike uses first person to describe the experience of the three girls in the store, and Sammy’s experience of working there. John Updike shows in A&P just because people believe in something doesn’t mean you have to believe in the same thing.  There is a co nflict that occurs in not just in teenagers but also the adults every day. Work cited Craats, Rennay. â€Å"History of 1960’s†. Weigl Publishers Inc., 2002. http://books.google.com/books?id=1tm_44Ln4EUC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false. November 14, 2012 Hawthorne, Nathaniel. â€Å"Young Goodman Brown.† Fiction 100 an anthology of short fiction. Thirteenth edition. New Jersey,2012. Lostracco, Joseph. â€Å"Analyzing Short Stories.† Seventh edition. Revised printing. 1992.

Legal Analysis Of Lee P. Cao And Louann P - 1053 Words

Legal Analysis Lee P. Cao and Louann P. Cao, v. Huan Nguyen and Nega Pham (1) A representation of fact was made; Through the duplex case, we found a couple responding to an advertisement in which they had seen, which dealt with the sale of a living space. This space had been advertised as a duplex, which by definition, entails that it would be a home that would be divided into two separate apartments where potentially two different people(s) may reside. The representation of the property being a duplex residence was made. (2) The representation of the property being a duplex was false; Although the residence for sale had been listed as a duplex, the property itself did not comply with the space necessary to fulfill a duplex standard. Therefore, with this lack of space, the home did not uphold to the municipal code, which would legally accept it as a duplex. (3) The representation was made recklessly without knowledge of its truth. From the advertisement and information given by the sellers, we find that there are several factors when it comes to the question of whether or not the representation was made recklessly without the knowledge of its truth and as a positive assertion. The sellers disclosed the information that the home had been previously divided and rented into a two family dwelling which would lead one to think that it was in fact a duplex. Despite the layout of the home and reliance of fact from the previous ownership, now the sellers were also under theShow MoreRelatedWritten Report for â€Å"July at the Multiplex†6160 Words   |  25 PagesT. Plex and the Consortium FROM: Team 1 DATE: March 6, 2011 RE: Legal, Statistical, and Ethical Analysis of â€Å"July at the Multiplex† As per your request, we have arranged a report based on the incident that plaintiff, moviegoer Tommy, has filed a civil complaint about. This incident involved Tommy’s visit to the Royal 16 Theater, your property in the Eastfield Mall, intending to watch a movie, â€Å"The Governator.† This analysis examines the possibilities and outcomes of the possibilities in order